In his short book, "Great Lent: Journey to Pascha, Alexander Schmemann reminds us of the purpose of the season of Lent,
"The purpose of Lent is to force on us a few formal obligations, but to "soften" our heart so that it may open itself to the realities of the spirit, to experience the hidden "thirst and hunger" for communion with God."
He goes on to describe this 40 day season as one of "bright sadness." Sadness in that everyone walking into a Lenten service will notice that the particular ethos of the Scriptures, songs, addition to specific prayers, or absence of specific prayers (for example the Gloria Patri and Allululias) all carry a quiet sadness and focus on Christ's suffering. And yet, there is a brightness in that it all is in preparation for the coming resurrection celebration on Easter. All the services during this Lenten season are shaped by this bright sadness.
"This lenten "atmosphere," this unique "state of mind," is brought about mainly by means of worship, by the various changes introduced during that season into the liturgical life." He then describes the powerful influences these atmospheres begin to make upon us:
“But then we begin to realize that this very length and monotony are needed if we are to experience the secret and at first unnoticeable "action" of the service in us. Little by little we begin to understand, or rather to feel, that this sadness is indeed "bright," that a mysterious transformation is about to take place in us. It is as if we were reaching a place to which the noises and the fuss of life, of the street, of all that which usually fills our days and even nights, have no access—a place where they have no power. All that which seemed so tremendously important to us as to fill our mind, that state of anxiety which has virtually become our second nature, disappear somewhere and we begin to feel free, light and happy. It is not the noisy and superficial happiness which comes and goes twenty times a day and is so fragile and fugitive; it is a deep happiness which comes not from a single and particular reason but from our soul having, in the words of Dostoevsky, touched "another world." And that which it has touched is made up of light and peace and joy, of an inexpressible trust. We understand then why the services had to be long and seemingly monotonous. We understand that it is simply impossible to pass from our normal state of mind made up almost entirely of fuss, rush, and care, into this new one without first "quieting down," without restoring in ourselves a measure of inner stability. This is why those who think of church services only in terms of "obligations," who always inquire about the required minimum ("How often must we go to church?" "How often must we pray?") can never under- stand the true nature of worship which is to take us into a different world—that of God's Presence!—but to take us there slowly because our fallen nature has lost the ability to accede there naturally.
Thus, as we experience this mysterious liberation, as we become "light and peaceful," the monotony and the sadness of the service acquire a new significance, they are transfigured. An inner beauty illumines them like an early ray of the sun which, while it is still dark in the valley, begins to lighten up the top of the mountain. This light and secret joy come from the long alleluias, from the entire "tonality" of lenten worship. What at first appeared as monotony now is revealed as peace; what sounded like sadness is now experienced as the very first movements of the soul recovering its lost depth. This is what the first verse of the lenten alleluia proclaims every morning: "My soul has desired Thee in the night, O God, before dawn, for Thy judgments are a light upon the earth!"
"Sad brightness": the sadness of my exile, of the waste I have made of my life; the brightness of God's presence and forgiveness, the joy of the recovered desire for God, the peace of the recovered home. Such is the climate of lenten worship; such is its first and general impact on my soul.”
